The 1950’s house was a scientific
triumph, designed in a laboratory and tested on inhabitants of all
ages before being built for the masses. Never had homes been so
thoroughly contemporary, with antiques and period styles entirely
banished. This video explores the interior decor of that decade.
Explore the
Characteristics of Mid-Century Modern Architecture, one of the most
influential styles of the 20th century. Known for its clean lines,
flat planes, large glass walls, natural materials, and strong
indoor–outdoor connection, Mid-Century Modern design shaped the way
people think about modern living. Click on the
title to view.
And look for other videos in selected articles.
Can't find what
you're looking for? Go to
our Sitemap
Find
out what's coming in the
2026 Holiday
Edition
of
the
THE ANTIQUES ALMANAC
"Christmas in America"
COMING IN
December
Share pages
of this ezine with your friends using the buttons
provided with each article.
The morning of December 17, 1903 dawned bright with a
strong chill in the air. The wind hit 25 miles per hour
over the dunes at Kill Devil Hills, dangerous conditions
for flying a prototype aircraft. The Wright Brothers of
Dayton, Ohio, dressed in coats and ties to add a touch
of private ceremony for an event that would alter the
world. To learn more read "The
Dream of Flight."
Pier Tables—Not for
Petticoat Checking by Bob Brooke
Docents
in historic houses always seem to have interesting stories about the
furniture in them. One of these concerns the pier table. Supposedly, a
woman could stop in front of it and check the mirror below it to see if her petticoat was
showing before going out. And although it makes a great story, the truth
is that women of the 19th century did no such thing. A woman of the time
wouldn’t have been caught dead adjusting her undergarments in a public
area of her house.
So what is a pier table? Simply, it’s a low, usually narrow table that
stands in the pier, or wall section between two windows, often in the
parlor of a wealthier person’s house. Cabinetmakers often made them in
pairs of expensive woods, such as mahogany, rosewood, and giltwood.
The first known use of such a
table was in 1765. During the Regency Period, a pier table had a mirror
mounted between its back legs against the wall, or sometimes above it. The purpose of the
mirror was to reflect the light around the room, not to check
petticoats.
Practically speaking, a woman wouldn’t be able to see her feet, let
alone fix her petticoat. The mirrors were often slightly angled towards
the ceiling in order to catch as much light as possible. The extensive
use of concave looking glasses in the 18th century and mirrors in the
19th century bounced the dim light from oil lamps around the room,
increasing overall brightness.
Pier
tables became status symbols of wealth. Reflecting light around a room
on highly-polished surfaces, including mirrors, glass, crystal pendants
on chandeliers, or fine wood surfaces, was a way of demonstrating
wealth. It dazzled the eye and demonstrated a great deal of labor from
servants who maintained that high degree of cleanliness.
One of the greatest designers of pier tables was French ébéniste
Charles-Honoré Lannuier,
who emigrated in 1803 and became one of the leading furniture makers in
New York. Trained in Paris, he rose to fame during the American Federal
Period. After the Revolutionary War and War of 1812, anti-English
sentiment made French goods especially appealing to Americans. Lannuier
imported French pattern books to keep abreast of the latest Napoleonic
style. His work featured robustly carved and gilded caryatid supports,
carved dolphin feet, and elaborate gilt-bronze ormolu mounts. And while
not every wealthy person could afford a Lannuier pier table, his tables
reached the height of design excellence in the first two decades of the
1800s.
No antiques or collectibles
are sold on this site.
How to Recognize and
Refinish Antiques for Pleasure and Profit
Have
you ever bought an antique or collectible that was less than perfect and
needed some TLC? Bob's new book offers tips and step-by- step
instructions for simple maintenance and restoration of common antiques.
Read an
Excerpt
Auction News
Get up to the minute news of antiques auctions
around the country and the world.
Docents
in historic houses always seem to have interesting stories about the
furniture in them. One of these concerns the pier table. Supposedly, a
woman could stop in front of it and check the mirror below it to see if her petticoat was
showing before going out. And although it makes a great story, the truth
is that women of the 19th century did no such thing. A woman of the time
wouldn’t have been caught dead adjusting her undergarments in a public
area of her house. 
The first known use of such a
table was in 1765. During the Regency Period, a pier table had a mirror
mounted between its back legs against the wall, or sometimes above it. The purpose of the
mirror was to reflect the light around the room, not to check
petticoats. 
One of the greatest designers of pier tables was French ébéniste
Charles-Honoré Lannuier,
who emigrated in 1803 and became one of the leading furniture makers in
New York. Trained in Paris, he rose to fame during the American Federal
Period. After the Revolutionary War and War of 1812, anti-English
sentiment made French goods especially appealing to Americans. Lannuier
imported French pattern books to keep abreast of the latest Napoleonic
style. His work featured robustly carved and gilded caryatid supports,
carved dolphin feet, and elaborate gilt-bronze ormolu mounts. And while
not every wealthy person could afford a Lannuier pier table, his tables
reached the height of design excellence in the first two decades of the
1800s.
