HAVE A QUESTION ABOUT ANTIQUES OR COLLECTIBLES?

Send me an E-mail
(Please, no questions
 about value.)

Instructions for sending photographs of your pieces with your question.
 

Which department store originated the concept of selling artistic home furnishings?

Macy's
Harrod's
Liberty & Co.
                     To see the answer

Arts & Crafts:
From William Morris to Frank Lloyd Wright

by Arnold Schwartzman

The author focuses on a British craftsmen, such as William Morris and Charles Rennie Mackintosh, who turned their backs on the mass production of the Industrial Revolution to form a ‘Round Table’ in order to establish a means of returning to hand-crafted products.

                                  More Books

 WATCH VIDEOS

How Was It Made? Block Printing William Morris Wallpaper

This video recreates the painstaking reproduction of a William Morris wallpaper design from 1875, a process that can take up to 4 weeks, using 30 different blocks and 15 separate colors.

Click on the title to view.

And look for other videos in selected articles.

Have Bob speak
 on antiques to your group or organization.

More Information

Can't find what
 you're looking for?

Go to our Sitemap

Find out what's coming in the
2024 Spring Edition

of the
THE ANTIQUES ALMANAC

"Art Deco World"

COMING IN
May

Share pages of this ezine with your friends using the buttons provided with each article.


Download our
Decorative Periods and Styles Chart
 

Read our newest glossary:

Antique Furniture Terminology
 from A to Z

courtesy of AntiquesWorldUK

Videos have
come to


The Antiques
Almanac

Expand your antiques experience.

Look for videos in various articles.

Just click on the
arrow to play.

FEATURED
ANTIQUE




Argyle Chair
Charles Rennie Macintosh

The Simplicity of American Colonial Redware
by Bob Brooke

 

Redware was the first pottery made in the American colonies. Potters made it from local red clay. Early American colonists produced pottery mostly for their own use. Without kilns that could produce high-firing temperatures, they typically produced low-fire earthenware

From a technical standpoint, redware is the overall term applied to all clays which have a porosity above 5 percent when fired. Simply put, the fired clay must be within 5 percent of being wholly watertight, or vitrified. Redware cannot be made completely watertight because of its porosity—much like clay flower pots—so potters had to glaze their wares to increase their usefulness.

In the majority of cases the "red" is the natural reddish-brown of the fired clay, the same sort of color as in terracotta or red brick. The color to which clay turns when fired varies considerably with its makeup and the firing conditions. The colors of redware actually range from reds to browns to yellows, blacks, greys, and whites.

During the 17th to 19th centuries, European potters produced unglazed stoneware, mostly for teapots, jugs and mugs. Colonists had to import these wares are great expense. American redware, on the other hand, was inexpensive and used for a wide variety of kitchen and dining functions, as well as objects such as chamber pots.

Utilitarian items such as crocks, chamber pots, butter pots and one- or two-handled jugs were the most common items produced. Not always of the best quality, pieces were crude and coarse in appearance, with minimal glazing—often on half the container—and rusty orange to dark brown clay or glaze colors. Because imported ceramics were expensive, colonists had to tolerate less-than-perfect homemade wares.

Historians believe one of the reasons for the poor quality early American redware was that, at least in rural areas, potters worked two jobs, farming and pottery. Rural areas desperately needed pottery for the various forms of housekeeping, and many farmers took to supplying the needs of their neighbors in their leisure hours. The rigors of farm life certainly couldn’t have been conducive to regularity or uniformity of pottery production. And, certainly, these rural potters were unlikely to have trained in one of the great pottery centers of Europe. In fact, many may have been self-taught.

Though American redware usually had a reddish body, whether glazed or not, potters often gave it a white or other glaze, either tin-glazed or lead-glazed. Depending on the locality, this was the basic utilitarian pottery of Colonial America. It was often complemented by imported or American stoneware for large vessels where the added strength was useful.

Besides producing plainer wares for everyday use, Colonial potters also created fancy platters and jugs that were glazed, often in yellowish tones, and painted with bold folk art designs. This practice continued well into the 19th century. But these special decorated pieces were rather uncommon. Unlike everyday redware, potters stamped many of these fancy pieces with dates and signatures.

Making Colonial Redware
The technique used by Colonial potters was rather simple. They pressed soft clay over a mold which formed the shape of the vessel. Then they cut a notched rim with a hand-held, wooden or metal coggle, a wheel designed for making decorative impressions, similar to a pie crust crimper. Some Colonial potters often decorated the interior of their pieces with a liquid white clay that they poured into the vessels. To create a watertight surface and still keeping the red color, they coated the interior of their pieces with a clear, lead glaze, then fired them.

Potters employed semi-liquid clay or slip both as a wash before firing and as a decoration, forming patterns, names, or sayings on the exterior. Sgraffito was a technique of cutting away of the surface layer to reveal a different base color. Germans in Pennsylvania made decorated pottery from the mid-18th to the 19th century, using techniques from their homeland in the Rhineland. Using local yellow clay, they produced sgraffito and slip pottery.

Generally, Germans influenced pottery in the northern states while English, Germans, and Africans, mostly working as slaves, created pottery in the South. New England potters made redware for household use from the 1770s to the mid-19th century. Connecticut became famous for bean pots, and Vermont became known for crude pottery figures of cows, dogs and lions from Bennington, and mottled pottery with a brown glaze from Bennington and Burlington.

Early Southern potters used English techniques to make their wares. Shapes were more ovoid, with rounded shoulders. Shapes became more generally rounded, then straighter. Alkaline and slip glazing were common.

Redware is distinctly American. It developed out of necessity, local materials, and ingenuity. Today, it represents an era in the early formation of the United States.

 



<
Back to Antiques Archives                                           Next Article >

FOLLOW MY WEEKLY BLOG
Antiques Q&A


JOIN MY COLLECTION
Antiques and More on
Facebook

LIKE MY FACEBOOK PAGE
The Antiques Almanac on Facebook

No antiques or collectibles
are sold on this site.

How to Recognize and Refinish Antiques for Pleasure and Profit

Book: How to Recognizing and Refinishing Antiques for Pleasure and Profit
Have you ever bought an antique or collectible that was less than perfect and needed some TLC? Bob's new book offers tips and step-by- step instructions for simple maintenance and restoration of common antiques.

Read an Excerpt

Auction News
Get up to the minute news of antiques auctions around the country and the world.

Also see
The Auction Directory

Antiques News
Read breaking news stories from the world of antiques and collectibles.

Art Exhibitions
Search for art exhibitions in museums and galleries around the world.

Home | About This Site | Antiques | Collectibles | Antique Tips | Book Shop | Antique Trivia | Antique Spotlight | Antiques News  Special Features | Caring for Your Collections | Collecting | Readers Ask | Antiques Glossaries | Resources | Contact
Copyright ©2007-2023 by Bob Brooke Communications
Site design and development by BBC Web Services